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best places to visit in tokyo

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best places to visit in tokyo

Beneath the bright lights, Japan’s capital is an endless trove of cultural treasures.
  Tokyo is a city of impossible contrasts. An endless labyrinth of skyscrapers, bordered by mountain and sea; a neon, retrofuturist dream throttling past pockets of serenity scattered with historic castles, temples and parks. One of the world’s most populous cities, it is understandably among the hardest to truly penetrate. It is Japan at its least nuanced, a window dressing of stereotype, cloaked precariously over an incredibly rich culture, largely unknown to those beyond its bounds. 
  Among the city’s best-known wards is Shinjuku; a microcosm of the city itself, home to its largest railway station, and the Tokyo Metropolitan Government Building. Nestled within its claustrophobic streets is Kabukicho, Japan’s grittiest and seediest neighbourhoods though, tellingly, oft-called one of Asia’s ‘safest red-light districts’.
  Marked by large, red gates, it is a surreal cluster of bars, eateries and restaurants, drenched in artificial light most notably the Robot Restaurant, where food takes a back seat to spectacle. One of the world’s most unmissable shows, Robot Restaurant is a celebration of Japanese stereotype turned up all the way to 11. A feast for the senses does not even begin to explain this bizarre, explosive battle between robot and dancer.
  The adjacent area of Golden Gai presents a rare example of older Tokyo architecture, surviving both natural disasters and war. Engulfed on all sides by looming skyscrapers, it is a time capsule, filled with numerous tiny bars, frequented by the city’s actors, artists and musicians looking for a peaceful escape from the metropolis beyond. Offering an even quieter break is Shinjuku Gyoen, a stunning park with three main gardens. The first, in traditional Japanese style, features 1,500 cherry trees, two ponds joined by a small river, and a pavilion built to commemorate the royal wedding of Emperor Hirohito. Elsewhere, a French garden mimics the splendour of Versailles with roses aplenty, while an English garden brings a touch of British charm to the Japanese archipelago. A curious greenhouse also boasts a tropical cocktail of flowers and plants.
  The adjacent ward of Shibuya is home to the infamous Shibuya Crossing, an intersection outside the station where, at the turn of a light, seas of people flood across the road, heading towards homes, offices and shops. The area hosts an array of department stores, housed in skyscrapers with floors of restaurants. Shibuya is also considered to be a major driving force behind the country’s fashion industry, with many new trends starting here.  
  Nowhere is this clearer than in Harajuku, an area made famous for its namesake ‘Harajuku style’ a wacky hotchpotch of punk, cosplay, kawaii cute, bold colour and all things over-thetop. Beyond a thicket of trees, the spectacular Shinto shrine of Meiji-Jingu is dedicated to Emperor Meiji, whose ascendance stripped power away from the samurai class and thrust Japan into an era of modernisation.
  One of Shibuya’s more curious landmarks is Love Hotel Hill, where you’ll find the capital’s highest concentration of love hotels frequented by couples who don’t have anywhere else to spend time alone.
  To the east is Tokyo’s centre of ultraluxe chic, Ginza. Formerly a silver coin mint, the area was rebuilt after the Great Kanto Earthquake of 1923. Today it houses some of the city’s most prestigious brands and malls. Topped by an iconic clock tower, Seiko’s Wako building survived the intense firebombing of World War II, an architectural legacy that is today full of designer brands, a delectable tea salon and an art gallery. The ultramodern Tokyu Plaza, meanwhile, offers a bold contrast, with a kaleidoscopic entranceway symbolising the country’s world-class contemporary design.
  A very different shopping experience can be had in Akihabara, a nexus of all things anime. Manga cafes sit alongside shops, overflowing with anime and video-game figurines, alongside electronic shops hawking retro Famicoms and assorted gadgets. Akihabara’s 1,300-year-old Kanda-jinja Shinto shrine was famously where the notable rebel Taira no Masakado was enshrined in 940 and deified. Today, it is also represented by the mascot Nozomi Tojo, a shrine maiden from the anime Love Live!. 
  The nearby Ueno Park, originally part of the powerful Kaneiji Temple and one of Japan’s earliest Western-style parks, features a long corridor of 1,000 cherry trees prime hanami, or‘cherry blossom viewing’, territory. The park’s lotus-covered Shinobazu Pond, boasting an octagonal temple hall, is inspired by Lake Biwa beneath the Kyoto temple that Kaneiji modelled itself after. Ueno also hosts an array of museums, including Tokyo National Museum and Tokyo Metropolitan Art Museum, as well as Ueno Zoo the country’s first.
  In Sumida to the east, a bizarre, huge building rises as if on stilts. This modern behemoth, fashioned after a traditional storehouse, is home to the Edo-Tokyo Museum, a fascinating journey through the 400-year history of Japan’s capital. The atmospheric museum offers insight into the development of the city, formerly known as Edo, and the lives of those who inhabited it examining Japanese architecture and the nation’s cultural heritage.
  The nearby (ironically small) Sumo Museum makes for a smooth introduction to the sport, which can be enjoyed at the Ryogoku sumo stadium, with a hearty helping of katsu curry and a dizzying drink of Chuhai. Tournaments are held during certain points of the year, and each day wrestlers do their best to throw their opponents to the ground, or push them out of the ring. By the end of the day, the atmosphere is electric, as pairs of Yokozuna duel to a cacophony of shrieking fans and camera flashes.  
  In the 17th century, sumo tournaments were held in the district of Asakusa, just to the north then, the centre of entertainment and kabuki. Sensoji Temple is among the city’s oldest and most magnificent Buddhist temples. It is preceded by the 200-metre (656-foot) shopping street, Nakamise, where vendors sell souvenirs and distinctive treats, such as amezaiku elaborate, hand-crafted lollipops.
  Just across the Sumida River is Tokyo Skytree, the world’s second-tallest structure at 634 metres (2,080 feet). With two observation decks at 350 metres (1,148 feet) and 450 metres (1,476 feet), it makes for a stunning place to take in the city from up high. From here, Tokyo stretches out towards the horizon, a neverending expanse of light and life.
  Japanese culture varies greatly from region to region, but the capital of Tokyo is a brilliant gateway to some of the country’s most beloved artistic heritage. 
  Among Japan’s most recognisable forms of theatre is Kabuki, which originated during the Edo period, beginning in 1603. Performers don elaborate costumes and makeup, acting out historical dramas on intricate stages, with trapdoors and revolving platforms.  
  Bunraku theatre, meanwhile, sees a narrator tell a story, accompanied by a shamisen, acted out by puppets. The puppeteers, dressed all in black, animate not just the puppets’ limbs, but facial expressions too requiring a great deal of training and expertise.  
  Music is also central to Noh theatre, which was developed by 14th-century actor Kan’ami Kiyotsugu and his son Zeami. It is a minimalist, slow and ponderous reflection of themes, narrated by masked performers, often representing supernatural beings.

Only In Tokyo

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Only In Tokyo

  If you can think of it, you can probably do it in Tokyo, so join us in seeking out the bizarre in the Japanese capital, a city like no other on Earth.

Play with monsters

  To getto the Mushroom Disco, you must first enter the stomach of Mr Ten Thousand Chopsticks and pass the Sweets Go Round carousel, nodding to a unicorn and a Pikachu as you go. Once you’re positioned beneath a technicolour fungus, a monster girl will take your order, perhaps Colourful Rainbow Pasta followed by Poison Parfait Extreme. No, you haven’t inadvertently inhaled an irregular substance this is the Kawaii Monster CafŽ, which has taken the Japanese love of ‘kawaii’ (cute) and made it punk. ‘This is modern kawaii,’ says Crazy Monster Girl as she delivers a teetering stack of ice cream. ‘These bright colours, they’re like poison for Japanese. It’s not traditional at all.’ Two hundred people turned up to audition for monster girls when the café opened in 2015, and Crazy is just one of five to make the grade. They stage several dance shows a day but you may be too distracted by the jellyfish looming over the bar or the giant rabbit drinking from a bottle of milk to notice.

Get lost down alleyways

  It’s a familiar sight along the alleys of Tokyo.Work has ended forthe day, and a lone salaryman (officeworker), tie pulled loose,wanders the lane, peering into the bars that squeeze along it.Atthe end ofthe alley, he turns around and repeats the process. Finally, a decision is made, a venue is picked and in he goes, his evening sorted until it’s time to catch the train home. Tokyo’s yokochō (alleys) each have their own character, and many sprouted up illegally afterWWII, specialising in the trade of black market goods, prostitution and other illicit activities. The eightlanes of Golden Gai are officially home to 229 bars,though unofficial figures put the number closerto 300. Feware biggerthan a shed, with three orfour stools lined up atthe counter, and customers here to drink and make friends.(‘People are shy in Japan andwear a mask says events manager Yū as she sips tequila at miniscule Saru bar, its shelves crammedwith LPs, ‘but not here in the alleys.)Despite their nicknames,the focus on Omoide Yokocho (Piss Alley) and Nonbei Yokocho (Drunkards’Alley)is more on eating than boozing.Drawnby the smell of barbecue, people pick theirway along lanes clutteredwith beer crates and lit by paperlanterns,to find a perch attheir chosen restaurant. Beer ordered, cigarette lit,there’s just one more choice to make will it be a bowl oframen or a plate of barbecued pork belly, orderedwith a side of crispy chicken skin orfried pigs intestines?

Make origami

  Mr Kazuo Kobayashi loves to talk, and allthe while he’s talking, he’s moving his hands around sheets of paper. By the time he’s mentioned his trip on Concorde, visitto London and meeting with Donald Trump, he has magicked paperinto a red rose, a gold ring with an emerald, a peacock, a dog, a pair of moving lips, a pyramid. Mr Kobayashi has been teaching origami his whole life, like his parents before him,running workshops at Origami Kaikan, a centre with a gallery and shop devoted to the craft. ‘Origami is not a creative action, it’s maths,’ he says between anecdotes. ‘It’s about finding the rightformula. His perpetual beaming smile seems proof enough ofthe mood enhancing qualities of folding paper. ‘I’m really healthy because of origami, he confirms. ‘My fathertoo. He lived to 100 because of it. Itis good for our brains.

Drink beer and get a massage

  If you tire ofthe all out onslaught that defines central Tokyo, Yanaka districtis the place to decompress. Here, people trundle about on bicycles, cats loll in doorways, and buildings are low rise and contain art galleries, stationery shops and temples.On a side street off a side streetlies Uenosakuragi atari, a cluster ofwooden buildings built in 1938,restored in 2015 and now protected by a preservation order. The complex is home to an olive oil shop, florist, bakery and beer hall, fronting a courtyard designed to induce maximum Zen.At Yanaka Beer Hall, customers sitwith glasses of craft beer,reading books and listening to the jazz playing in the background.Owner Hitomi Yoshida brings over a flight ofthe hall’s own brews, made usingwater from Mount Fuji. ‘This place is traditional Japanese style, very relaxing, she says, butwe serve modern beer. She points to her favourite,the Yanaka Beer Hall Original Lager,which has a smooth malty taste and is served only here. ‘Craft beeris becoming more popularin Tokyo, she continues. ‘People like to drink the beerwhere itwas made. Once slightly sloshed, punters can head upstairs and plonk themselves in a hammock,where reflexologist FutoshiKikukawa is on hand to deliver a head massage. It may be time for a doze.

Shop unique

  The Japanese word ‘shibui’ (simple beauty) might have been invented forthe goods sold at Saruya. On a quiet backstreet in the commercial district of Nihonbashi, Saruya sells toothpicks, and nothing else. There are thickly hewn beasts, delicate little spindles, machine produced bundles and samurai toothpicks hand carved from spicebushes. Each is beautifully presented in a wooden box, rice paper bag or delicate fabric wrap (nihonbashi saruya.co.jp). No toothpicks are needed forthe food created on Kappabashi St. Many of the shops here specialise in sampuru, fake food made from wax, plastic orresin, displayed in restaurant windows to entice customers through the door. Fake chefs can pick up a bowl of plastic chicken katsu or a piece of plastic sushi, ortake home a kit and have a go at making something inedible themselves. Continue the theme of familiar food stuffs not being quite what they seem to be by heading to one of Tokyo’s many KitKat Chocolatory shops (nestle.jp/brand/kit/chocolatory/ginza). The Japanese go wild for a flavoured KitKat, and Nestle has produced some 200 different types overthe years. Alongside premium high cocoa bars, on sale are KitKats infused with wasabi, strawberry maple, banana, green tea and sake. Our verdict wasabi works sake does not no one needs a chocolate bar.

Visit a cat temple

  There are hints of what’s to come on the walk from the station to Gōtokuji temple. On the windowsills and doorsteps of shops and houses, small ceramic cats perch, one paw raised, beatific expressions on their faces. Inside the temple grounds, a wooden pagoda stands three storeys high, surrounded by maple, gingko and cherry trees, their leaves dripping water in the soft rain. Beyond it, it becomes clear how Go tokuji got its nickname the Cat Temple. Wherever there is space to put a cat, there is a cat on shelves, tucked into shrines, on paving slabs, in tree branches. Some are no bigger than a fingernail, others are knee high. According to legend, in the 17th century during a storm, Lord Naotaka Ii saw a cat beckoning him to join him at this  site; while he stood with the cat, lightning struck the place he had been standing, and as a sign of gratitude, he built the temple. It is still considered a lucky place. ‘Many people come here because they have a wish, maybe for a happy marriage or they want to be a doctor says guide Ms Yumiko Komatsu, sheltering beneath an umbrella. ‘They bring a cat and make their prayers. They come back and thank the cat if it came true. To help prosperity along, there are cats on sale in the information centre. Find a place to put it, and make a wish.

Go big on cute

  ‘Welcome home!’ trill the staff in unison on entry to the @home cafe, one of an estimated 200 ‘maid cafés’ in Japan. The venue takes up four floors of a building in Akihabara, the motherland forlovers of anime, manga, cosplay and video gaming. Though the short skirts and stockings worn by the maids suggest something else (not least a somewhat sketchy relationship with gender equality), the cafés are temples to the cultural phenomenon of kawaii, a love of all things cute. The maids resemble anime characters, head to toe in pastels, frills and bows, and their pupils widened with special contact lenses. ‘You have work and stress in real life, says Ms Hitomi as she diligently draws a panda face in the froth of a Magic Iced Green Tea Latte, ‘and you can come here and everyone is always happy and full of energy. It an escape.’ Young couples, tourists and a good number of teenage boys are happy to dive in, challenging a maid to a game of Hungry Hungry Hippos, clapping along to some astonishingly high pitched singing, or ordering a Cute Puppy Curry Set from the heartshaped menu. Then it’s back on to the street and real life, pleasantly baffled and wondering what the hell just happened.

Eat the food of monks

  Down an unassuming street in the residential district of Azabu Ju ban lies a discrete door, partly obscured by pot plants and noren curtains, behind which some of Tokyo’s most intriguing food is served. Itoshoø specialises in shōjin ryōri, the vegetarian and vegan food traditionally eaten in Buddhist temples. Sprightly nonagenarian chef Hiroharu Itō welcomes guests and, once their shoes are removed, shows them to one of three rooms divided by paper screens, seating them on tatami mats at low tables. What follows is a multi course Michelin starred menu of mystery, each dish a delicate artwork on the plate bright green slices of matcha jelly served with swirls of creamed tofu deep fried vegetables coated in puffs of rice flour soba noodles with seaweed and wasabi. In a city where pig rectum and horse meat sashimi are fairly easy to get hold of for dinner, it’s quite the revelation.

Spend the night with robots

  Were Liberace alive today, he’d be a big fan of the lounge bar at the Robot Restaurant in Shinjuku. There are gold chairs in the shape of shells, swirly  patterned carpets, whirling rainbow lights,  mirrored walls and ceilings, and a band of droids in the corner singing Backstreet Boys covers and Disney medleys. It’s a lot to take in, but this is just the warm up to the main event the Robot Show. Several times a day, an audience made up largely of out of towners is ushered to the main performance space, taking their seats either side of a long central stage. What follows for 90 minutes is likely to leave all of them slightly dazed in wonderment.
  Drummers ride in on dragons, girls swish swords atop giant prawns and are eaten by giant snakes, Transformers do battle with one another in a blaze of lasers, and gangly legged parrots dance on cheerful chickens. One of 40 professional dancers, Ms Nene Kinoshita has worked at the Robot Restaurant for four years. ‘I decided to become a performer when I came here for the first time, she says. ‘The show unfolding in front of my eyes was totally unexpected. Tokyo is full of unique and colourful people who are not afraid to try new things, and this is one of them. Her favourite part of the show is the knowledge that she has become part of visitors’ memories of travelling in Japan. As with much in the city, once experienced, there’s little chance of anyone forgetting it.